Which size is right for your space?
- Living room (above sofa): 48x32
- Bedroom (above headboard): 36x24 or 48x32
- Dining room: 36x24 or 48x32, depending on wall size
- Home office or den: 30x20 or 36x24
- Large foyer or entryway: 48x32
- Hallway, bathroom, or gallery wall: 18x12 or 24x16
When in doubt, go bigger than you think. The art, including any frame, should fill about â…” the width of the furniture beneath it. Sizes listed are the photograph itself; framed paper prints, with a 2" mat and frame, are about 3–5" larger in each direction.
See it on your wall before you order
Use the buttons below the image:
- Wall Preview: upload a photo of your room and see this print on your wall in your chosen size and frame.
- Live Preview AR: on your phone or tablet, point your camera at your wall and see the print there in real time.
Framed prints arrive ready to hang
Framed paper prints are matted with a 2" white mat and protected by non-glare acrylic, so the image stays clear without reflections from windows or lights. Acrylic is lighter and safer to ship than glass, and every framed print arrives with hanging hardware already attached.
MetalPrints with a float mount or frame also arrive ready to hang.
Questions about size, material, or framing? See the FAQ or email me a photo of your wall, and I'll suggest a size and finish.
About this photograph
I photographed the Gate of Non-Duality at Beomeosa Temple in Busan, drawn to how Korean temple architecture uses color as a symbolic language. The dancheong painting—those intricate patterns in green, red, blue, and yellow—isn't decorative but represents cosmological principles and protects the wooden structure.
What caught my attention were the sliding door panels with their monochromatic ink wash paintings of trees and rocks, creating a striking contrast against the vibrant exterior colors. This juxtaposition reflects Korean aesthetic principles: bold color meeting understated restraint, complexity balanced with simplicity.
The Gate of Non-Duality (Bulyi-mun) is the third and final gate visitors pass through before entering the main temple grounds, symbolically representing the transcendence of dualistic thinking in Buddhist philosophy.
I composed this to show both the elaborate bracket system under the eaves and those quiet ink paintings, capturing the layered complexity of Korean temple design.