Which size is right for your space?
- Living room (above sofa): 48x32
- Bedroom (above headboard): 36x24 or 48x32
- Dining room: 36x24 or 48x32, depending on wall size
- Home office or den: 30x20 or 36x24
- Large foyer or entryway: 48x32
- Hallway, bathroom, or gallery wall: 18x12 or 24x16
When in doubt, go bigger than you think. The art, including any frame, should fill about â…” the width of the furniture beneath it. Sizes listed are the photograph itself; framed paper prints, with a 2" mat and frame, are about 3–5" larger in each direction.
See it on your wall before you order
Use the buttons below the image:
- Wall Preview: upload a photo of your room and see this print on your wall in your chosen size and frame.
- Live Preview AR: on your phone or tablet, point your camera at your wall and see the print there in real time.
Framed prints arrive ready to hang
Framed paper prints are matted with a 2" white mat and protected by non-glare acrylic, so the image stays clear without reflections from windows or lights. Acrylic is lighter and safer to ship than glass, and every framed print arrives with hanging hardware already attached.
MetalPrints with a float mount or frame also arrive ready to hang.
Questions about size, material, or framing? See the FAQ or email me a photo of your wall, and I'll suggest a size and finish.
About this photograph
I photographed the ceiling of the Sagrada Família by lying flat on the floor and shooting straight up—probably not the most dignified position, but it's the only way to capture Gaudí's forest canopy design properly. The columns branch like trees, spreading into a geometric lattice that supports the roof while creating this incredible organic pattern overhead.
What Gaudí did here was revolutionary. He studied natural forms—trees, bones, shells—and translated their structural efficiency into architecture. Those columns aren't just decorative; they're load-bearing in a way that mimics how trees distribute weight through branches. The result is a ceiling that feels simultaneously ancient (like a Gothic cathedral) and completely modern in its structural logic.
The colored light comes from the stained glass windows positioned to catch sun at different times of day. I timed this shot to capture multiple colors hitting the white stone surfaces simultaneously—you get blues, greens, reds, and yellows all reflecting and mixing on the columns and ceiling. The lattice pattern filters and fractures the light, creating this kaleidoscopic effect.
I'd never seen anything like it either, which is saying something given how many cathedrals use light and height for spiritual effect. This is different—more organic, less about overwhelming you with scale and more about creating wonder through intricate, nature-inspired design.
The geometric patterns and colored light create a meditative, upward-pulling composition.