Which size is right for your space?
- Living room (above sofa): 48x32
- Bedroom (above headboard): 36x24 or 48x32
- Dining room: 36x24 or 48x32, depending on wall size
- Home office or den: 30x20 or 36x24
- Large foyer or entryway: 48x32
- Hallway, bathroom, or gallery wall: 18x12 or 24x16
When in doubt, go bigger than you think. The art, including any frame, should fill about ⅔ the width of the furniture beneath it. Sizes listed are the photograph itself; framed paper prints, with a 2" mat and frame, are about 3–5" larger in each direction.
See it on your wall before you order
Use the buttons below the image:
- Wall Preview: upload a photo of your room and see this print on your wall in your chosen size and frame.
- Live Preview AR: on your phone or tablet, point your camera at your wall and see the print there in real time.
Framed prints arrive ready to hang
Framed paper prints are matted with a 2" white mat and protected by non-glare acrylic, so the image stays clear without reflections from windows or lights. Acrylic is lighter and safer to ship than glass, and every framed print arrives with hanging hardware already attached.
MetalPrints with a float mount or frame also arrive ready to hang.
Questions about size, material, or framing? See the FAQ or email me a photo of your wall, and I'll suggest a size and finish.
About this photograph
Monument Valley's iconic buttes—the Mittens and Merrick Butte—photographed from an elevated rocky viewpoint work particularly well in black and white. Removing color emphasizes what makes these formations compelling: their massive sculptural forms, the play of light across striated sandstone surfaces, the stark contrast between dark buttes and bright desert sky.
Converting to monochrome simplifies the scene to essential elements—form, light, shadow, texture. The Navajo sandstone's warm reds and oranges that dominate color photographs become a range of grays that reveal geological layering and erosion patterns more clearly. The contrast between shadowed rock faces and sunlit surfaces defines the buttes' three-dimensional form without color's distraction.
Black and white suits Monument Valley's graphic quality: massive vertical forms rising from horizontal desert plain, dramatic skies, severe shadows. The monochrome treatment connects to the classic mid-century photography tradition of this landscape while emphasizing timeless geological processes over contemporary color tourism imagery.
Monochrome conversion emphasizes Monument Valley's sculptural forms and dramatic tonal contrast over familiar color palette.