Which size is right for your space?
When in doubt, go bigger than you think. The art, including any frame, should fill about ⅔ the width of the furniture beneath it. Sizes listed are the photograph itself; framed paper prints, with a 2" mat and frame, are about 3–5" larger in each direction.
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Framed prints arrive ready to hang
Framed paper prints are matted with a 2" white mat and protected by non-glare acrylic, so the image stays clear without reflections from windows or lights. Acrylic is lighter and safer to ship than glass, and every framed print arrives with hanging hardware already attached.
MetalPrints with a float mount or frame also arrive ready to hang.
Questions about size, material, or framing? See the FAQ or email me a photo of your wall, and I'll suggest a size and finish.
About this photograph
Fort Preble's casement windows in South Portland frame views across the rocky jetty to Spring Point Ledge Light. Fresh snow transforms this view—accumulating on the stone window frame, covering the granite blocks of the jetty, blanketing the rocky coastline while the dark water provides contrast.
Converting to black and white emphasizes the textural interplay: rough stone masonry of the fort, smooth snow accumulation, jagged granite jetty rocks, the geometric lighthouse against organic coastal forms. The monochrome treatment reveals tonal relationships that color might obscure—the gradations from bright snow through gray stone to dark water and sky create depth and atmosphere.
The window frame creates natural compositional structure, establishing foreground and literally framing the view toward the lighthouse. The challenge is managing exposure across extreme tonal range: bright snow in foreground and on rocks, darker water and stone surfaces, maintaining detail throughout. Winter's muted light suits black and white conversion by providing subtle tonal transitions.
Monochrome treatment emphasizes textural and tonal contrast in this snow-framed view from Fort Preble to Spring Point Ledge Light.
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About Dave
I create landscape photography for contemporary interiors where visual quality matters. My focus is dramatic environments—deserts, coastlines, forests, ancient architecture, night skies—photographed with deliberate composition and attention to craft. I'm selective about what I show. This collection represents a small percentage of what I shoot—work chosen for compositional strength and the ability to reward sustained viewing. These are images designed to live on your walls for years, not months.
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This means you can use the camera on your phone or tablet and superimpose any piece of art onto a wall inside of your home or business.
To use this feature, Just look for the "Live Preview AR" button when viewing any piece of art on this website!
