Which size is right for your space?
When in doubt, go bigger than you think. The art, including any frame, should fill about ⅔ the width of the furniture beneath it. Sizes listed are the photograph itself; framed paper prints, with a 2" mat and frame, are about 3–5" larger in each direction.
See it on your wall before you order
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Framed prints arrive ready to hang
Framed paper prints are matted with a 2" white mat and protected by non-glare acrylic, so the image stays clear without reflections from windows or lights. Acrylic is lighter and safer to ship than glass, and every framed print arrives with hanging hardware already attached.
MetalPrints with a float mount or frame also arrive ready to hang.
Questions about size, material, or framing? See the FAQ or email me a photo of your wall, and I'll suggest a size and finish.
About this photograph
Pemaquid Point Light sits on some of Maine's most dramatic coastal geology—metamorphic rock formations with distinct striped layering that create natural leading lines toward the lighthouse. These ancient schist and gneiss formations, tilted and folded by tectonic forces, make this one of the most photographed lighthouses on the coast.
After rain, the rocks' colors intensify—grays, browns, and russets become saturated, and tidal pools reflect both sky and lighthouse. The challenge is using these geological striations compositionally, positioning to emphasize how they naturally direct your eye from foreground to the lighthouse without forcing the composition.
The overcast sky works well here, providing even light that doesn't create harsh shadows on the complex rock surfaces. The lighthouse's white tower and black lantern room stand out clearly against the gray sky, while the brick fog signal building adds warm tones and architectural variety. Green vegetation in rock crevices provides color contrast against the predominantly neutral palette.
Dramatic striped geology and post-rain saturation emphasize this iconic Maine lighthouse's distinctive coastal setting.
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About Dave
I create landscape photography for contemporary interiors where visual quality matters. My focus is dramatic environments—deserts, coastlines, forests, ancient architecture, night skies—photographed with deliberate composition and attention to craft. I'm selective about what I show. This collection represents a small percentage of what I shoot—work chosen for compositional strength and the ability to reward sustained viewing. These are images designed to live on your walls for years, not months.
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This means you can use the camera on your phone or tablet and superimpose any piece of art onto a wall inside of your home or business.
To use this feature, Just look for the "Live Preview AR" button when viewing any piece of art on this website!
