Which size is right for your space?
- Living room (above sofa): 48x32
- Bedroom (above headboard): 36x24 or 48x32
- Dining room: 36x24 or 48x32, depending on wall size
- Home office or den: 30x20 or 36x24
- Large foyer or entryway: 48x32
- Hallway, bathroom, or gallery wall: 18x12 or 24x16
When in doubt, go bigger than you think. The art, including any frame, should fill about ⅔ the width of the furniture beneath it. Sizes listed are the photograph itself; framed paper prints, with a 2" mat and frame, are about 3–5" larger in each direction.
See it on your wall before you order
Use the buttons below the image:
- Wall Preview: upload a photo of your room and see this print on your wall in your chosen size and frame.
- Live Preview AR: on your phone or tablet, point your camera at your wall and see the print there in real time.
Framed prints arrive ready to hang
Framed paper prints are matted with a 2" white mat and protected by non-glare acrylic, so the image stays clear without reflections from windows or lights. Acrylic is lighter and safer to ship than glass, and every framed print arrives with hanging hardware already attached.
MetalPrints with a float mount or frame also arrive ready to hang.
Questions about size, material, or framing? See the FAQ or email me a photo of your wall, and I'll suggest a size and finish.
About this photograph
The Ponte Vecchio bridge stands as a timeless symbol of Florence, beautifully illuminated by the warm hues of sunset. This photograph captures the
The Ponte Vecchio at sunset—one of those scenes that's been photographed countless times, which means the challenge is finding an angle that feels fresh. I positioned myself along the Arno to capture how the bridge's medieval architecture interacts with the water, waiting for the moment when the warm evening light would illuminate the ochre buildings, creating strong reflections.
What makes the Ponte Vecchio unusual is that it's been continuously inhabited since the 14th century. Originally, butcher shops, then goldsmiths and jewelers, after the Medicis decided they wanted something less aromatic beneath their corridor. Those overhanging shops create the bridge's distinctive profile—you can see how they jut out over the water, built right to the edge.
I timed this shot for the blue hour transition, when there's still detail in the sky, but the bridge lights are beginning to show. The river acts as a second canvas, doubling the warm tones and creating a layered composition where you see both the physical structure and its mirrored counterpart.
The interplay between the bridge's golden stone and the blue-hour sky creates a color palette that works well in spaces where you want warmth without overwhelming the room.