Which size is right for your space?
- Living room (above sofa): 48x32
- Bedroom (above headboard): 36x24 or 48x32
- Dining room: 36x24 or 48x32, depending on wall size
- Home office or den: 30x20 or 36x24
- Large foyer or entryway: 48x32
- Hallway, bathroom, or gallery wall: 18x12 or 24x16
When in doubt, go bigger than you think. The art, including any frame, should fill about ⅔ the width of the furniture beneath it. Sizes listed are the photograph itself; framed paper prints, with a 2" mat and frame, are about 3–5" larger in each direction.
See it on your wall before you order
Use the buttons below the image:
- Wall Preview: upload a photo of your room and see this print on your wall in your chosen size and frame.
- Live Preview AR: on your phone or tablet, point your camera at your wall and see the print there in real time.
Framed prints arrive ready to hang
Framed paper prints are matted with a 2" white mat and protected by non-glare acrylic, so the image stays clear without reflections from windows or lights. Acrylic is lighter and safer to ship than glass, and every framed print arrives with hanging hardware already attached.
MetalPrints with a float mount or frame also arrive ready to hang.
Questions about size, material, or framing? See the FAQ or email me a photo of your wall, and I'll suggest a size and finish.
About this photograph
Baxter State Park along the Appalachian Trail features classic Maine mountain terrain—glacially deposited granite boulders with trees growing around and over them. This tree exemplifies what bonsai practitioners call "root over rock" (ishitsuki style)—roots conforming to the boulder's contours as they seek soil and anchor the tree to bedrock.
Shooting wide open at f/2.8 created shallow depth of field, keeping the root structure and boulder sharp while softening the background forest into blurred greens. This compositional choice isolates the subject, preventing background detail from competing with the intricate root patterns wrapping the granite. The moss clinging to rock surfaces indicates the constant moisture typical of Maine's mountain forests.
The technique mimics how bonsai training emphasizes the specimen itself rather than its container or surroundings—here, the roots and boulder become the subject while the forest context fades. Having done bonsai makes this natural formation particularly compelling: nature achieving organically what takes bonsai artists years to create artificially.
Shallow depth of field isolates root-over-rock formation, emphasizing natural bonsai-like character in Maine mountain forest.