Which size is right for your space?
When in doubt, go bigger than you think. The art, including any frame, should fill about ⅔ the width of the furniture beneath it. Sizes listed are the photograph itself; framed paper prints, with a 2" mat and frame, are about 3–5" larger in each direction.
See it on your wall before you order
Use the buttons below the image:
Framed prints arrive ready to hang
Framed paper prints are matted with a 2" white mat and protected by non-glare acrylic, so the image stays clear without reflections from windows or lights. Acrylic is lighter and safer to ship than glass, and every framed print arrives with hanging hardware already attached.
MetalPrints with a float mount or frame also arrive ready to hang.
Questions about size, material, or framing? See the FAQ or email me a photo of your wall, and I'll suggest a size and finish.
About this photograph
Scarborough's salt marshes along the southern Maine coast transform at sunset when the winding tidal channels reflect the sky's colors. These coastal wetlands are ecologically vital—nurseries for fish, feeding grounds for shorebirds—and visually compelling when the light is right.
The challenge with marsh photography is finding composition in what can appear as undifferentiated grass. The meandering water channel provides a natural leading line through the frame, while the distant tree line creates depth and prevents the scene from feeling too flat. The transitional light—that window between sunset and dusk—paints the sky in blues, oranges, and pinks that mirror in the still water.
Salt marsh grasses show different colors depending on season and tidal cycle. The green here indicates either late spring or summer growth. Low tide exposes more of the channel structure, creating stronger compositional elements than high tide when water covers the marsh floor.
Sunset light and tidal channels create color and leading lines through Maine's coastal marsh landscape.
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About Dave
I create landscape photography for contemporary interiors where visual quality matters. My focus is dramatic environments—deserts, coastlines, forests, ancient architecture, night skies—photographed with deliberate composition and attention to craft. I'm selective about what I show. This collection represents a small percentage of what I shoot—work chosen for compositional strength and the ability to reward sustained viewing. These are images designed to live on your walls for years, not months.
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This means you can use the camera on your phone or tablet and superimpose any piece of art onto a wall inside of your home or business.
To use this feature, Just look for the "Live Preview AR" button when viewing any piece of art on this website!
